Travelogue ~ Coming back home: A journey to Nigeria (Final Part) ~ Michal Musialowski
AUGUST 2019
Dedicated to, Sule, Paul, Abraham, and all the sailors of humanity.
The interest of the local media gave us also the opportunity to be guests at the TV program “Good Morning Niger State,” where we talked about the subversive power of poetry, and at a radio program at Radio Prestige, in an interview with the chairman of the Association of Nigerian Authors (ANA), Banma Baba Suleiman. These and the following days were filled with a lot of meetings and celebration of poetry and friendship. As a way to describe more precisely the tone and the messages fostered in the event, I propose an excerpts from Dr. Emman Shehu’s keynote speech entitled “Literature as a Bridge between Humanity:”
The big question though is can literature enable the unity of humanity? Our world remains crisis torn at many levels and as writers we reflect these situations in our story-world regardless of the genre. Yet as writers, literature enables us to engage and reflect through one of the most human attribute, language. Thus, according to Tabish Khair “by thinking imaginatively about issues and problems and differences, (literature) enables us to find options and solutions that might be closed to purely instrumental or logical thinking. Moreover, literature has always been highly porous. Look at the way stories have traveled across cultures and, later, nations. Right from the beginning, from the ancient epics, from Panchatantra and Aesop’s Fables, downwards to our age, stories and literature in general do not respect political or social borders. In that sense too, they signify the fact that despite all our differences we inhabit one world.” Until that day when we can find the magical formula to regain our lost paradise, literature is the bridge towards the unity of humanity.
The days in Minna were very
intense and full of experiences. Thus, we started to miss the calm and peace of
the University campus in Lapai, as well as our late night visits to Madam
Sunny’s parlor to grab a fresh drink and enjoy the melody of simplicity. Before
the event in Minna, we had spent three days in the capital - unfortunately,
almost exclusively in the hotel because of security reasons connected to the
election period, and where I had the privilege to read out some of my poems at
an event organized by Dr. Shehu and hosted by ANA. During these days Muhammedu
Buhari was reelected president and we followed his victory with preoccupation
and curiosity from the lousy TV screen at the hotel.
With these experiences behind
us, we decided to come back to Lapai for a week and visit Abuja once again
afterwards, after having regained the energies. Because the period after the
elections was punctuated with episodes of violence and political instability,
our stay in Lapai represented a threat for our security and, after receiving a
security alert from Nigerian secret services, the authorities of the University
decided to host us in a University guest house in Minna and provide constant
surveillance. The context of the guest house and the risks connected with
leaving it provided a great background for reflection and metabolization of the
eventful and rich experiences of those days. Even though the heat was almost
unbearable because of the peek of the dry season (and the global warming), we
enjoyed the calm of those days and had the chance to write down some of the
emotions and discuss about future plans and dreams. These are the conclusions I
made during these days on my reception of Nigerian reality, published in an
interview by the newspaper Blueprint, that summarize many of the constructive
discussion Paul and I were having during this period:
The reception by the amazing
people who I had the chance to meet has been very warm and filled with
outstanding generosity. Of course, certain friction stemming from the fact that
my presence and my skin color bear some prejudices and a heavy history is an
implicit part of an intercultural meeting. Among curiosity and mutual interest,
friendship, and love, I have met two reactions at the extreme of the spectrum
that needs and stimulate a deeper reflection: rejection and exaggerated
reverence or unjustified over-respect for my presence. Both are significant and
are to be understood – in my opinion – in the wounds and traces that the
colonial horror left, and are an important starting point for the revolution of
mindset – especially in the case of the unjustified reverence toward me – that
is needed to understand each other. Being called ‘master,’ ‘your excellence,’
and similar, shocked me profoundly and worried me immensely.
I truly believe that this attitude is highly harmful, needs to be eradicated, and represents the ways in which the European colonization in the past and neocolonization in the present wounds the psyche and perception of some Nigerian citizens who barter their dignity for the favor of a white man, an oyibo. I would love to see my Nigerian sisters and brothers believing in their dignity, humanity, and value, which is an essential part of every human being, regardless of place of birth, social status, or history. I believe that this would represent an important fundament for the human revolution and elevation that every citizen of the world deserves and that must be granted. I think that the consciousness of value must first of all come from the inner dimension of the individual and then be sustained by the politics. Thus, if we manage to overcome the myopic social categorizations that the media and those in power foster, we will see the horizons of new humanity rising; beyond history, beyond suffering, and beyond social injustice. (“Nigerian Writers See Literature as Tool of Resistance, Social Change –Musialowski.”)
THE LAST DAYS IN ABUJA
The last three days of my stay
in Nigeria were joyful and passed by in a glimpse of an eye. We had a very
pleasant lunch with Teresa Oyibo Ameh (who wanted us to call her Auntie T.) and
met different authors and friends in the capital. One of them, Ahmed Maiwada,
invited us for an explorative trip with car around the capital, and - as many
others- enjoyed my struggles with pepe during lunch. After lunch, Ahmed
promised to bring us to a very special place and kept his promise. Guided by
his joyful voice, we visited the construction site of a new and ambitious
project by the ANA: a ‘Writer’s Village’ with more than fifty single houses to
host writers from all around the world and an amphitheater for events and
performances situated on a big natural terrace with a beautiful view on the
capital and the surrounding nature. Ahmed was interested in a possible future
collaboration with us and surprised us with his generosity and energy.
Currently, Ahmed Maiwada is running for the president office of the ANA.
Goodbyes are always difficult,
especially when we have to leave the ones whom we perceive as family. This is
how I felt, when the time to leave came. We spent our last days with Paul’s
best friend, Peter, who soon became a dear friend to me, and leaving them both
at the airport was one of the most intense moments of my journey. Since the
experiences and events I described so far, are only a little part of all the
adventures and emotions I was able to experience during those life-changing six
weeks, I would like to conclude this report with a poem that I dedicate to Paul
Liam and all the revolutionary poets and friends whom I met. Hopefully, it will
be able to say more about the enormous inspiration and enrichment that this
journey gave me. The poem - entitled “Prometheus”- reads:
It was a day in March fragmented
in dust and
forcefully swiped under the layers of memory:
In one of those nights, the wind began:
the fear was devouring the seeds of a new beginning (.)
I was born (in) a cacophony like everything else like love, like space like you
Like March that spreads hunger
in a famine of elevation and promises love scarce in fragments
But I love this entropy that keeps us afloat and never closes a door;
that makes you stop in the middle of a walk to ask yourself: Where do I really belong?
And then flow away
into a jungle of casual collisions and take a breath
of the beauty of existence and drink (muddy water of remorse) and fall back again under the layers of memory
And then:
What if everything was stable?
No air
echoes in empty corridors of dust castles made of cards If the fire was nervously burning to ignite forgiveness
And awake
the greatest of sins:
Rebellion (!) Hubris Power.
In the memory of Prometheus, a forgotten sailor of humanity;
arrogantly reminding the rock the caucasian sky;
open windows of a shadow-painted mountains
Dense stains of blood on Peter’s hands:
the foundation hidden behind smiles of gods and feces of those in power
Like Prometheus,
We all have a story, a sign, a chain, or a collar
It is time,
to prepare for the night to digest the darkness with burning intestines broken spines of those whose voice is a voiceless choir
Now,
seconds are a like beats of a perpetual drum that will stop to vibe only when hope has rotten
Not like your love like March
like a smile on red lips like a timeless cover
I will be hanging upon the rock waiting for the morning to start all over.
In one of those nights, the wind began:
the fear was devouring the seeds of a new beginning (.)
I was born (in) a cacophony like everything else like love, like space like you
Like March that spreads hunger
in a famine of elevation and promises love scarce in fragments
But I love this entropy that keeps us afloat and never closes a door;
that makes you stop in the middle of a walk to ask yourself: Where do I really belong?
And then flow away
into a jungle of casual collisions and take a breath
of the beauty of existence and drink (muddy water of remorse) and fall back again under the layers of memory
And then:
What if everything was stable?
No air
echoes in empty corridors of dust castles made of cards If the fire was nervously burning to ignite forgiveness
And awake
the greatest of sins:
Rebellion (!) Hubris Power.
In the memory of Prometheus, a forgotten sailor of humanity;
arrogantly reminding the rock the caucasian sky;
open windows of a shadow-painted mountains
Dense stains of blood on Peter’s hands:
the foundation hidden behind smiles of gods and feces of those in power
Like Prometheus,
We all have a story, a sign, a chain, or a collar
It is time,
to prepare for the night to digest the darkness with burning intestines broken spines of those whose voice is a voiceless choir
Now,
seconds are a like beats of a perpetual drum that will stop to vibe only when hope has rotten
Not like your love like March
like a smile on red lips like a timeless cover
I will be hanging upon the rock waiting for the morning to start all over.
Michal
Musialowski is a Polish poet and scholar. He lives in Hannover, Germany
Comments
Post a Comment
We love to hear from you, share your comment/views. Thanks