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I did not set out to make a living via writing — Eriata Oribhabor

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In this interview with Paul Liam, Eriata Oribhabor, Poet, Philanthropist, Culture activist, Civil Servant, former Chairman of ANA Abuja, and Founder of Poets In Nigeria (PIN), shares his thoughts on what inspired him into writing and other topical issues. He also speaks for the first time about his breakup with the 100Thousand Poets for Change organization, and what led to his founding of PIN. Read on.
Besides your well known reputation as a promoter of poetry and young creatives in Nigeria, many people do not actually know your background, do you mind letting us in on who Mr. Eriata Oribhabor is?
Eriata Oribhabor is a staff of the Federal Government, born and raised in Warri, Nigeria. He has a degree in Political Science from the University of Abuja. He moved from Warri on official transfer to Kaduna in 1996 and lived there till 2005 when same transfer took him to Abuja where he was to work till 2014 before moving to Lagos. Today, he is a resident of the city, Nigeria's commercial …

Poet-Today ~ Ojo Olumide Emmanuel ~ The Arts-Muse Fair

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FRINGES the steps to play lie is- not to smile; chew all the tickles below your jaws even when it pinches you to laugh at the fools you’re fooling kick your legs on the ground dazzle your eyes in rolls hold your tummy on a long cough- the same way mince-pies collude call sweats to your face in many drizzles place your handkerchiefs on a hay day and allow those around to greet sorry in many miles- sleeves and pity allow them recount their tales of pneumonia and survival garner truckloads of sympathy with wails and blames after all the world is for those whose tongue- appear in folds a hand apart for the tip a waist line for the blade... in abraded manifestoes and in denial.


TINGES some solicitude saturates- from the marrow to the vein others turn scalps, scars...

Call for Submissions ~ 2020 Aminiya-Trust Hausa Short Story Writing Competition

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OPEN ARTS in collaboration with GANDUN KALMOMI are announcing the 2020 AMINIYA-TRUST HAUSA SHORT STORY WRITING COMPETITION.
THEME: The theme for this year, is CHALLENGES OF DEMOCRACY AND POLITICKING IN NIGERIA.
WORD COUNT: All entries should be a piece of creative writing in Hausa that fall between the word count of 1000 – 1500 words and conform to Hausa traditions and cultural norms.
SUBMISSION All entries should be sent to wasikunaminiya@dailytrust.com as a Microsoft Word attachment including full name, a short bio, home or office address and phone number.
DEADLINE Submissions will be open from May 15 2020 and close at 11:59pm West African Time (WAT) on July 15 2020. Entries sent outside the submission window will not be accepted.
PRIZES The top 3 Entries will be awarded prizes as follows: 1st Position: N250,000 2nd Position: N150,000 3rd Position: N100,000
Winners of the 2020 Aminiya-Trust Hausa Short Story Competition will be announced in September 2020.
Between September and October 2020, the…

Poetry Analysis ~ ‘The Red Wheelbarrow’ of Williams Carlos Williams ~ Aliyu Danladi

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The Red Wheelbarrow
So much depends upon
A red wheel barrow
glazed with rain water
beside the white chickens.

The Red Wheelbarrow is a beautiful and simple poem which, at a superficial level, depicts "a red wheel barrow/glazed with rain water" beside some white chickens. And yet the simplicity of the poem is misleading. As the first line says, there is "so much" in it.
Structurally, the poem is divided into four stanzas with two lines each. There is a consistent alternation of three words and then one word in every stanza. In terms of meter, there is no consistency; music is however achieved through the soft vowel sounds in many of the words.
The words in every stanza are arranged and line break employed in such a way to give emphasis on some certain words. The words "wheelbarrow," "rainwater," and "chickens" receive stronger emphasis by being modified with visually-appealing words; "red," "glazed with," and "white"…

Essay ~ The Epistolary as an instrument of Postcolonial Discourse in Sarah Ladipo Manyika’s In Dependence ~ Paul Liam

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BY PAUL LIAM
This analysis is primarily concerned with the utilization of the epistolary element as an instrument of postcolonial discourse by Sarah Ladipo Manyika in In Depence, and is based on the special edition of the novel published by Cassava Republic Press in 2016. This writer asserts that the novel in itself is not an Epistolary, but it deploys the epistolary technique in x-raying postcolonial themes with a special reflection on the realities that confronts post independent nations, located within the era of military rule in Nigeria. Besides the epistolary technique, the novel uses the third person point of view narrative technique in telling a story that is both didactic yet refreshingly creative. There are twelve epistolary exchanges in the novel, most them being the exchanges between Tayo and Vanessa, the central characters around whom the plot revolves.
Manyika was raised in Nigeria, has lived in Kenya, France and England. She holds a Ph.D. from the University of California…

Poet-Today ~ Peter Kwange ~ The Arts-Muse Fair

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THE END IS GONE
If you hunger and thirst You are still alive! Those who kissed the lips of death are raptured! They are the smoke we saw leaving for oblivion. They are in a fortress! They are the ones With soft skins Wet lips And new lives
If you feed and sleep If you love and want to be loved then, you are a soul wondering in purgatory!
If your country have gods of nepotism and treachery then, you are a wall waiting to be broken!
The end is gone!
Every preacher in this face is a god! They have sweet lips And bitter tongue. and these gods are busy seeking for slaves and servants.
Give me a coin you'll be two times richer than Dangote. Or give me two coins and you'll be ten times richer than king Solomon.
This are the words Of a preacher.
The end is gone!
Those who gathered riches gathered enough! Like the generals in North and West Until they became too poor to buy a ticket to heaven if there is heaven <